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c. 1445 – May 17, 1510. Italian painter.

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Robert Swain Gifford
Seconnet Rock, New Bedford, Massachusetts

ID: 72640

Robert Swain Gifford Seconnet Rock, New Bedford, Massachusetts
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Robert Swain Gifford Seconnet Rock, New Bedford, Massachusetts


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Robert Swain Gifford

(December 23, 1840 - January 13, 1905) was an American landscape painter. He was influenced by the Barbizon school. Much of his work focuses on the landscapes of New England, where he was born. He, along with Victorian contemporaries from the White Mountain and Hudson River Schools, helped immortalize the majestic cliffs of Grand Manan in the Bay of Fundy. His painting from the island, "Pettes Cove," is illustrative of his masterful marine work. In the 1870s, he undertook several journeys to Europe and the Middle East and painted some subjects from those regions. In 1899, he was an artist on the famous Harriman Alaska Expedition. Some of his works hang in the most prominent galleries in the USA, including the Fine Arts Museums of San Francisco, the Metropolitan Museum of Art, New York, and the Smithsonian American Art Museum, Washington DC. He was a member of the Society of American Artists.   Related Paintings of Robert Swain Gifford :. | Playing in the water | St. John the Evangelist with the Poisoned Cup a | Unknow work 47 | The Cafe of Yalta | Portrait of Felicite |
Related Artists:
HEINTZ, Joseph the Elder
Swiss/German painter (b. 1564, Basle, d. 1609, Praha).
BACCHIACCA
Italian Painter, 1494-1557 Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style. Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.
Walter Moras
painted Markisches Dorf in 1888






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